• NAA Workshop: Plein air painting: Oils or Acrylic with Todd Bonita 6/13 

    NAA Workshop: Plein air painting: Oils or Acrylic with Todd Bonita 6/13 

    Saturday June 13th 10am-5pm | Meet at NAA
  • Saturday June 13th 10am-5pm | Meet at NAA

    Newburyport Art 

    65 Water St
    Newburyport, MA 01950

    Plein air painting is the practice of painting outside, or as the French term, "en plein air", literally translates to, "in the open air".

    Join us with your paint box for a full day of outdoor painting, convening with nature and learning to see like an artist.  I will begin with a lecture and demonstration on capturing light, color and atmosphere on canvas using a simple Impressionistic approach.  We will discuss choosing a motif, composing a harmonized design, seeing value shapes, accurate drawing, and infusing visual poetry into your motif.  Students will spend the rest of the day painting while I provide artistic guidance with side-by-side easel assistance.  This one day workshop is packed with valuable information that has been passed down from the masters on how to simplify the outdoor painting process.  
     

    Materials to bring:

    French easel, half box easel or Pochade box for working outside.
    * For Pochade box I like the UGO. If you prefer a French easel I recommend the
    Jullian Half box easel.

    Palette:
    I recommend a wood palette. I have glass too for one of my boxes...try to avoid paper pallets.

    Paint:
    *(I recommend a minimal palette of a warm and cool version of the three primaries plus white (with maybe a few extras)....Please spend the extra for professional grade paints. I use Williamsburg, Winsor & Newton, Gamblin and Utrecht but there are many good options.)
    Alkyd White (Alkyd is a quick dry paint that plays nice with oils. For brands, Gamblin, DaVinci and my favorite is by C.A.S. Alkyd Pro)
    Titanium White
    Cad Yellow
    Yellow ochre
    Alizeran Crimson
    Cadmium Red
    Ultramarine Blue
    Cobalt Blue or Cerulean Blue
    Burnt Sienna
    Greenish Umber (By Rembrandt), Olive Green or Terre Vert (*Optional)
    Viridian (*Optional)
    Ivory black (*Optional)
    raw or burnt umber (*Optional)

    Painting surface:
    Canvas, canvas or linen mounted on board or gessoed wood panel (sizes can range from 6x8” to 14x18” but I would not go larger)...(Bring enough for two paintings each day.

    Brushes:
    *Assortment of bristle brushes (I suggest large, medium and small in three styles: Flats, Rounds and Filberts. I mostly use Robert Simmons Signet series flats #3, #6 and #10)
    *One or two Royal sable flats in medium and large sizes (size 10 or 16) for blending and softening edges (I prefer Langnickel.)
    *Small synthetic rounds for details. (I suggest Winsor and Newton Septre Gold 2 in the 404 series...size 4 and / or size 6)

    Other:
    Trowel type Pallet knife
    liquin and pallet cup
    Gamsol (Turpentine substitute) with container or medium glass jar
    paper towels (Blue shop towels are the best)
    Soft pencil, eraser and sketchbook
    Ruler, straight edge or a mahl stick (something to make straight lines with is handy)
    A Veiwfinder: Important! Whether homemade or store bought, it must be adjustable or proportionate to your canvases. Viewcatcher is ideal.
    Artist paint box or back pack for supplies
    Wet paint carrier. I love the PanelPaks...they are lightweight and convenient.
    *Appropriate clothing for outdoor weather and conditions.

    Optional:
    Hat
    sunglasses
    Water bottle or something to drink, snack
    Sun block
    Bug spray
    If you are uncomfortable standing you may consider a portable folding chair
    Wheeled caddy for supplies if necessary
    Camera
    Umbrella

    Cost:

    • NAA Members: $75
    • Non-members: $95
    • 10% discount offered to seniors (ages 65+)

    Todd Bonita Bio

    After graduating from the Art Institute of Boston, I continued study of classical painting at the Pennsylvania Academy of Fine Arts in Philadelphia, until returning home in 2004, where I currently live and maintain an oil painting studio in Portsmouth, New Hampshire. I love painting plein air equally as much as crafting more involved compositions in my studio. Above all, I love the process and simple joy of being with my tools and creating. My work is represented by ten art galleries around the US, Canada and UK., exhibited in four Art museums and is in hundreds of corporate and private collections world wide, including 41st U.S. President, George H. W. Bush. I currently own the Todd Bonita Art Gallery in both Ogunquit, Maine and Portsmouth, New Hampshire, as well as the Ogunquit Art Colony School, where I teach painting classes and International art workshops year round.

  • Format: (000) 000-0000.
  • This workshop is eligibile for the Kevin Quinan Memorial Scholarship for emerging oil painters age 60 and older. Read more below and please indicate if you are interested in being considered for the scholarship.

    The Kevin Quinan Memorial Scholarship is intended to benefit an adult emerging oil painter in their effort to build confidence and aptitude as a painter, by removing the initial financial roadblocks that can discourage the embrace of a new venture. The scholarship is established to honor the memory of Kevin Quinan, who began painting at age 70 and continued until his death at age 78. Painting in his later years gave him great pleasure and a sense of accomplishment, as he learned the daunting task of creating works of art from a blank canvas. He was courageous in doing so, and found an excellent teacher with whom he studied painting continuously. It was his wish that others would be supported in their early stages as he was, and that classes at the Newburyport Art Association would enable emerging artists to embrace painting as he did, making it a cornerstone of his later life.

    The Scholarship will fund the cost of tuition and materials at a Newburyport Art Association oil painting class, for an oil painter aged sixty and above, in their first two years of study. The Scholarship will be awarded to one or more students per class, based on the application. The applications will be reviewed by Kevin’s widow and his daughter, with input from the Newburyport Art Association staff.

  • This class is capped at 14 people. It has a minimum of 6 to run.

    By completing this registration form, you agree to the following cancellation and refund schedule:

    • Within 2 days of the registered session: 0% refund
    • Between 2 days and 2 weeks: 50% refund
    • More than 2 weeks: 100% refund

    The NAA reserves the right to cancel this class if necessary. In the event that the NAA cancels the class, all registrants will be refunded in full.

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      Workshop - Todd Bonita

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