Baltimore Clayworks Clay Biennial​ - Exhibition Entry Form
  • Baltimore Clayworks Clay Biennial

    Juried by ChingYuan Chang | January 9 - March 13, 2027
  • Baltimore Clayworks Clay Biennial is a national juried exhibition presented in conjunction with the 61st Conference of the National Council on Education for the Ceramic Arts (NCECA), that celebrates the vitality, diversity, and evolving language of contemporary ceramics. Open to ceramic artists working in all styles, techniques, and conceptual approaches, the exhibition seeks work that reflects both technical excellence and compelling artistic vision. Functional, sculptural, installation-based, and experimental works are all welcome.

    Exhibition Dates: January 9 - March 13, 2027

    Application Deadline: September 25, 2026

    Contact: Yoshi Fujii, Director of Exhibitions and Shop, yoshi.fujii@baltimoreclayworks.org

  • Eligibility

    Submitted work must have been created within the last two years and have not been exhibited at Baltimore Clayworks. Open to any form of functional or sculptural object or installation, and clay must be the primary material. Enter up to three (3) pieces. All exhibited work must be for sale and available for the duration of the exhibition. Original accepted work only and no substitution. Baltimore Clayworks (and Juror) reserves the right to disqualify applications or deny to exhibit. **PLEASE READ THE INSTRUCTION CAREFULLY AND FOLLOW THE REQUIREMENTS ON IMAGES & IMAGE LIST.** (No international applications for this exhibition.)
  • Application Fee

    $30 for up to three pieces
  • Commission

    All exhibited work must be for sale. In the case of sale, 50% of the retail price will be paid to the artist, and 50% goes to the gallery.
  • Shipping

    Artist is responsible for shipment/delivery of the accepted work. Work must arrive at Baltimore Clayworks Gallery by Friday, December 11, 2026, or at least two weeks prior to opening of the exhibition. We pay for return shipping if the piece does not sell. Return shipping should start at least two weeks after the closing of the exhibition, if not earlier. (No international applications for this exhibition, due to the complexity of the current international shipping/trade situation and its cost.)
  • Digital Image Requirements

    (**IMPORTANT to follow this guideline in order to keep the integrity of blind jurying process and to save work hours of staff due to overwhelming number of submissions.**) Submit up to three(3) pieces and up to two(2) images of each piece. (Other images are NOT considered, or your application will be disqualified.) Images should be in square format; 2000x2000 pixels of 300 dpi as JPEG/JPG. Gray or white background. No text or other distracting objects/background on images. Each file name must be labeled with the artist's THREE INITIALS in the order: LAST, FIRST, MIDDLE (use "X" if no middle initial) and the corresponding number from your entry. (ex. Arther Clay Potter would be "PAC1.jpg" and only upto "3".) If you submit alternative/reverse-side (or close/detail) shot of the same work, you should label the second image of the piece with "a" (for "a"lternative. Ex., "PAC1a.jpg". Only ONE alternative image per piece is permitted. Adding the alternative image does NOT necessarily increase the chance of acceptance or often is not needed. Do NOT use "4", "5", "6", or "b".) Baltimore Clayworks reserves the right to photograph work and uses the submitted images of accepted pieces for the purpose of publicity, promotion, education and documentation in printed materials, website and social media. (Your application MUST be accompanied with the Image List, explained below.)
  • Juror: ChingYuan Chang

    Ching Yuan Chang is a contemporary ceramic artist and professor at Tainan National University of the Arts. Early in his career, he studied under Japanese master Lin Baojia and later attended the Rochester Institute of Technology’s School for American Crafts, where Western education enriched his creative approach. Working primarily with clay, Chang applies lacquerware-inspired layering techniques to reveal the material’s inherent color, texture, and form. His work engages with Taiwan’s cultural diversity while exploring personal and collective identity, reflecting contemporary aesthetic and social concerns.

    Chang has exhibited widely in Taiwan and internationally, receiving awards such as the Japan Contemporary Craft Special Award and “Individual Artists Grant in the Visual Arts” Maryland State Art, Council, Baltimore, MD. His works are held in major collections worldwide, including the Victoria and Albert Museum (UK), Shigaraki Ceramic Cultural Park (Japan), Kanazawa Ohri Art Museum (Japan), National Art Gallery (Malaysia), and Yingge Ceramics Museum (Taiwan). Through his practice, Chang has elevated Taiwanese ceramics from craft to art, establishing their presence in the global art scene.

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